Emanuela, known artistically as Younica, is a rising singer-songwriter with a passion for storytelling through music. Her journey began at just five years old, singing in her elementary school choir and continuing to perform throughout her school years. At 12, she joined an after-school program called Xposure, where she began writing her own songs and exploring the many sides of the music industry—from performance to the business behind the scenes.

In 2025, Younica made a bold step toward her dreams, performing at major events like the Calle 8 Festival in Miami and the Puerto Rican Day Parade. She has since recorded nearly 30 original songs at a New Jersey studio, working closely with her producer and manager to develop her unique sound.

Driven by her deep love for the studio and music production, Younica is currently studying Music Technology at Brooklyn College. With every session, performance, and track, she continues to grow as an artist—dedicated to refining her craft and reaching new heights.

Younica’s ultimate goal is to become a successful singer-songwriter and tour the world, connecting with audiences everywhere through music that’s real, relatable, and full of heart.

https://www.instagram.com/younicamusic

https://www.youtube.com/@younicamusic

inspiring project

-Sources

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Burgess, Richard James. The Art of Music Production: The Theory and Practice. Oxford University Press, 2013.

Doyle, Peter. Understanding Music Marketing. Routledge, 2017.

Hracs, Brian J. “Cultural Intermediaries in the Music Industry: The Role of Producers and Managers in EP Release Strategies.” Popular Music, vol. 36, no. 2, 2017, pp. 179–197.

King, Samantha. “Marketing an Independent Music EP in the Social Media Era.” International Journal of Music Marketing, vol. 8, no. 3, 2019, pp. 21–39.

Moy, Ron. Songwriting: Essential Guide to Writing & Recording Your Music. Berklee Press, 2015.

Moorefield, Virgil. The Producer as Composer: Shaping the Sounds of Popular Music. MIT Press, 2005.

Passman, Donald S. All You Need to Know About the Music Business. 11th ed., Simon & Schuster, 2019.

Watson, Andrew. “Digital Distribution and Streaming Platforms for Independent Artists.” Journal of Music Business, vol. 12, no. 1, 2020, pp. 44–63.

Zak, Albin J. The Poetics of Rock: Cutting Tracks, Making Records. University of California Press, 2001.Hracs, Brian J. “Cultural Intermediaries in the Music Industry: The Role of Producers and Managers in EP Release Strategies.” Popular Music, vol. 36, no. 2, 2017, pp. 179–197.

Songs for the Capstone project that are in the works: